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James Hillman: Because our Western culture declared “Nature abhors a vacuum,” we abhor emptiness.

James Hillman: Because our Western culture declared “Nature abhors a vacuum,” we abhor emptiness. The Void in the Vessel Each vessel has its particular shape. Inside is emptiness. Each vessel is shaped around this emptiness. Because our Western culture declared “Nature abhors a vacuum,” we abhor emptiness. (“Empty” from Old English meaning “at leisure, unoccupied,”… James Hillman: Because our Western culture declared “Nature abhors a vacuum,” we abhor emptiness.

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Freema Gottlieb:The Kabbla, Jung and the Feminine Image

Freema Gottlieb: The Kabbla, Jung and the Feminine Image Jung had access through secondary sources to many key concepts of Jewish mysticism. Especially when it comes to descriptions of the psychic accoutrements of femininity, his entire opus bears the distinctive mark of Kabbalistic influence. For example, in discussing gradations of consciousness, he uses a terminology… Freema Gottlieb:The Kabbla, Jung and the Feminine Image

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John Beebe: Jung and intuition

John Beebe: Jung and intuition In 1919, on the first in-print occasion that Jung moved beyond Jacob Burckhardt’s serviceable Urbild, or ‘primordial image’, to employ a more controversially Platonizing term, Archetypus (archetype), he linked that new, self-admittedly ‘borderline concept’ that he knew could not quite sit comfortably within reasonable post-Aristotelian discourse about forms of cognition… John Beebe: Jung and intuition

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Freud and Jung Contrasts

FREUD AND JUNG: CONTRASTS E D I T O R I A L NOTE For about six years, from 1907 to 1912, Jung practiced and wrote and presumably thought as a psychoanalyst, in close association with Freud.1 The work that was to be his major statement, Wandlungen und Symbole der Libido, proved instead to be… Freud and Jung Contrasts