At first it was the negative aspect of the anima that most impressed me. I felt a little awed by her.
It was like the feeling of an invisible presence in the room one enters.
Then a new idea came to me: In putting down all this material for analysis, I was in effect writing letters to my anima, that is to a part of myself with a different viewpoint from my own.
I got remarks of a new character—I was in analysis with a ghost and a woman.
Every evening I wrote very conscientiously for I thought if I did not write it, there would be no way for the anima to get at it.
There is a tremendous difference in the assumption of telling something and the actual telling of it, a fact which I was once able to test out experimentally.
I told a man whom I was testing to think of something disagreeable, but to let it be something I did not know about.
I took his electric resistance in the so-called psycho-galvanic experiment, and there was very little change.
In some way I knew that he was thinking about something very disagreeable that had happened that morning, but something which I had found out only by accident, and of which he was confident I knew nothing.
I said to him, “Now I will tell you what that disagreeable thing was,” and as soon as I told him I got a tremendous reaction in the current. ~Carl Jung, 1925 Seminar, Pages 59-51